Allegro ma non troppo e maestoso
cwlTemp012 Alberto Portugheis: Khachaturian: Piano Concerto; Sonatina; Toccata
Allegro ma non troppo e maestoso
The Piano Concerto in D-flat was written for Lev Oborin, who premiered it in Moscow on 12 July 1937, with the Moscow Philharmonic Orchestra under Lev Steinberg. The only piano available for the premiere was an upright piano, and the orchestra had just one rehearsal. The venue was an open-air stage in Sokolniki Park, and during the performance a strong wind blew Steinberg's glasses off, so that he could no longer see the score and had to conduct the remainder from memory. The piece is in three movements: the first movement, Allegro ma non troppo e maestoso, makes extensive use of the three-note theme of F, B, and A♭, illustrated above. Although the term "flexatone" is used, the second movement, Andante con anima, is one of the few classical pieces to make use of a musical saw, although this instrument is often omitted in performances and recordings of the concerto. The third movement, Allegro brillante, caps the piece in an exciting manner.
Allegro ma non troppo e maestoso
cwlTemp012
Alberto Portugheis: Khachaturian: Piano Concerto; Sonatina; Toccata
15:04
The Piano Concerto in D-flat was written for Lev Oborin, who premiered it in Moscow on 12 July 1937, with the Moscow Philharmonic Orchestra under Lev Steinberg. The only piano available for the premiere was an upright piano, and the orchestra had just one rehearsal. The venue was an open-air stage in Sokolniki Park, and during the performance a strong wind blew Steinberg's glasses off, so that he could no longer see the score and had to conduct the remainder from memory. The piece is in three movements: the first movement, Allegro ma non troppo e maestoso, makes extensive use of the three-note theme of F, B, and A♭, illustrated above. Although the term "flexatone" is used, the second movement, Andante con anima, is one of the few classical pieces to make use of a musical saw, although this instrument is often omitted in performances and recordings of the concerto. The third movement, Allegro brillante, caps the piece in an exciting manner.
15:04
Allegro giocoso
cwlTemp012 Alberto Portugheis: Khachaturian: Piano Concerto; Sonatina; Toccata
Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2020-03-01 Performance timing: Ensemble: Leader: Recording location:
Allegro giocoso
cwlTemp012
Alberto Portugheis: Khachaturian: Piano Concerto; Sonatina; Toccata
01:54
Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2020-03-01 Performance timing: Ensemble: Leader: Recording location:
01:54
Toccata for piano in E flat minor
cwlTemp012 Alberto Portugheis: Khachaturian: Piano Concerto; Sonatina; Toccata
Toccata for piano in E flat minor
Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2020-02-21 Performance timing: Ensemble: Leader: Recording location:
Toccata for piano in E flat minor
cwlTemp012
Alberto Portugheis: Khachaturian: Piano Concerto; Sonatina; Toccata
04:33
Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2020-02-21 Performance timing: Ensemble: Leader: Recording location:
04:33