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Highlights from our vault
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Sonata No.1 in G Minor
1. Adagio - Sonata No.1 in G-Minor BWV 1001
cwlTemp007 Oscar Bohórquez, Bach Sonatas
1. Adagio - Sonata No.1 in G-Minor BWV 1001
Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2019-10-13 Performance timing: Ensemble: Leader: Recording location:
1. Adagio - Sonata No.1 in G-Minor BWV 1001
cwlTemp007
Oscar Bohórquez, Bach Sonatas
03:58
Recording identifier: Label: Catalogue number: Conductors: Producer: Engineer: Recording date: 2019-10-13 Performance timing: Ensemble: Leader: Recording location:
03:58
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Symphony No. 5
Allegro con brio
Recording identifier: rw2147484010 Label: Royal Philharmonic Orchestra Catalogue number: RPO022 Conductors: Claire Gibault Producer: Alan Peters Engineer: Dick Lewzey Recording date: Performance timing: 721 Ensemble: Royal Philharmonic Orchestra Leader: Christopher Warren-Green (Violin) Recording location: CTS Studio's
Allegro con brio
RPO022
Symphony No. 5 in C minor, Op. 67 (Beethoven's Fifth), Symphony No. 8 in B minor, D. 759 (Unfinished)
07:52
Recording identifier: rw2147484010 Label: Royal Philharmonic Orchestra Catalogue number: RPO022 Conductors: Claire Gibault Producer: Alan Peters Engineer: Dick Lewzey Recording date: Performance timing: 721 Ensemble: Royal Philharmonic Orchestra Leader: Christopher Warren-Green (Violin) Recording location: CTS Studio's
07:52
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Sperate, o figli, Nabucco, Verdi, Jonathan Story
Sperate o figli, Nabucco, Verdi, Jonathan Story
cwlTemp027 Jonathan Story's Heartwarming Voice
Sperate o figli, Nabucco, Verdi, Jonathan Story
Nabucco, short for Nabucodonosor is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, Jeremiah, Lamentations and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu. However, Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than was the play itself.[1] Under its original name of Nabucodonosor, the opera was first performed at La Scala in Milan on 9 March 1842. Nabucco is the opera that is considered to have permanently established Verdi's reputation as a composer. He commented that "this is the opera with which my artistic career really begins. And though I had many difficulties to fight against, it is certain that Nabucco was born under a lucky star." The opera follows the plight of the Jews as they are assaulted, conquered and subsequently exiled from their homeland by the Babylonian king Nabucco (Nebuchadnezzar II). The historical events are used as background for a romantic and political plot. The best-known number from the opera is the "Chorus of the Hebrew Slaves", "Va, pensiero, sull'ali dorate" / "Fly, thought, on golden wings", a chorus that is regularly given an encore in many opera houses when performed today. Libretto/Lyrics/Text/Testo: SCENA II Zaccaria, Fenena, Anna, e detti ZACCARIA tenendo per mano Fenena Sperate, o figli! Iddio del suo poter die' segno Ei trasse in poter mio un prezioso pegno; additando Fenena del re nemico prole pace apportar ci può. TUTTI Di lieto giorno un sole forse per noi spuntò! ZACCARIA Freno al timor! v'affidi d'Iddio l'eterna aita. D'Egitto là sui lidi Egli a Mosè die' vita; di Gedeone i cento invitti Ei rese un dì... Chi nell'estremo evento fidando in Lui perì? TUTTI Di lieto giorno ecc. ZACCARIA Freno al timor! ecc. Chi nell'estremo ecc. TUTTI Oh quai gridi ... SCENE II Zechariah, Fenena, Anna, and sayings Zaccaria holding Fenena by the hand Hope, or children! God of his being able to sign He drew in my power a precious pledge; pointing to Fenena of the enemy king offspring peace can come to us. ALL A sunny day maybe for us it came out! Zaccaria Brake to fear! v'affidi of God the eternal aita. Of Egypt there on the shores He gave Moses life; of Gideon the hundred invites Ei made one day ... Who in the extreme event trusting in Him perished? ALL Happy day etc. Zaccaria Brake to fear! etc. Who in the extreme etc. ALL Oh, cry out
Sperate o figli, Nabucco, Verdi, Jonathan Story
cwlTemp027
Jonathan Story's Heartwarming Voice
04:48
Nabucco, short for Nabucodonosor is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on the biblical books of 2 Kings, Jeremiah, Lamentations and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu. However, Antonio Cortese's ballet adaptation of the play (with its necessary simplifications), given at La Scala in 1836, was a more important source for Solera than was the play itself.[1] Under its original name of Nabucodonosor, the opera was first performed at La Scala in Milan on 9 March 1842. Nabucco is the opera that is considered to have permanently established Verdi's reputation as a composer. He commented that "this is the opera with which my artistic career really begins. And though I had many difficulties to fight against, it is certain that Nabucco was born under a lucky star." The opera follows the plight of the Jews as they are assaulted, conquered and subsequently exiled from their homeland by the Babylonian king Nabucco (Nebuchadnezzar II). The historical events are used as background for a romantic and political plot. The best-known number from the opera is the "Chorus of the Hebrew Slaves", "Va, pensiero, sull'ali dorate" / "Fly, thought, on golden wings", a chorus that is regularly given an encore in many opera houses when performed today. Libretto/Lyrics/Text/Testo: SCENA II Zaccaria, Fenena, Anna, e detti ZACCARIA tenendo per mano Fenena Sperate, o figli! Iddio del suo poter die' segno Ei trasse in poter mio un prezioso pegno; additando Fenena del re nemico prole pace apportar ci può. TUTTI Di lieto giorno un sole forse per noi spuntò! ZACCARIA Freno al timor! v'affidi d'Iddio l'eterna aita. D'Egitto là sui lidi Egli a Mosè die' vita; di Gedeone i cento invitti Ei rese un dì... Chi nell'estremo evento fidando in Lui perì? TUTTI Di lieto giorno ecc. ZACCARIA Freno al timor! ecc. Chi nell'estremo ecc. TUTTI Oh quai gridi ... SCENE II Zechariah, Fenena, Anna, and sayings Zaccaria holding Fenena by the hand Hope, or children! God of his being able to sign He drew in my power a precious pledge; pointing to Fenena of the enemy king offspring peace can come to us. ALL A sunny day maybe for us it came out! Zaccaria Brake to fear! v'affidi of God the eternal aita. Of Egypt there on the shores He gave Moses life; of Gideon the hundred invites Ei made one day ... Who in the extreme event trusting in Him perished? ALL Happy day etc. Zaccaria Brake to fear! etc. Who in the extreme etc. ALL Oh, cry out
04:48
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Piano Concerto in D flat Major
Allegro ma non troppo e maestoso
cwlTemp012 Alberto Portugheis: Khachaturian: Piano Concerto; Sonatina; Toccata
Allegro ma non troppo e maestoso
The Piano Concerto in D-flat was written for Lev Oborin, who premiered it in Moscow on 12 July 1937, with the Moscow Philharmonic Orchestra under Lev Steinberg. The only piano available for the premiere was an upright piano, and the orchestra had just one rehearsal. The venue was an open-air stage in Sokolniki Park, and during the performance a strong wind blew Steinberg's glasses off, so that he could no longer see the score and had to conduct the remainder from memory. The piece is in three movements: the first movement, Allegro ma non troppo e maestoso, makes extensive use of the three-note theme of F, B, and A♭, illustrated above. Although the term "flexatone" is used, the second movement, Andante con anima, is one of the few classical pieces to make use of a musical saw, although this instrument is often omitted in performances and recordings of the concerto. The third movement, Allegro brillante, caps the piece in an exciting manner.
Allegro ma non troppo e maestoso
cwlTemp012
Alberto Portugheis: Khachaturian: Piano Concerto; Sonatina; Toccata
15:04
The Piano Concerto in D-flat was written for Lev Oborin, who premiered it in Moscow on 12 July 1937, with the Moscow Philharmonic Orchestra under Lev Steinberg. The only piano available for the premiere was an upright piano, and the orchestra had just one rehearsal. The venue was an open-air stage in Sokolniki Park, and during the performance a strong wind blew Steinberg's glasses off, so that he could no longer see the score and had to conduct the remainder from memory. The piece is in three movements: the first movement, Allegro ma non troppo e maestoso, makes extensive use of the three-note theme of F, B, and A♭, illustrated above. Although the term "flexatone" is used, the second movement, Andante con anima, is one of the few classical pieces to make use of a musical saw, although this instrument is often omitted in performances and recordings of the concerto. The third movement, Allegro brillante, caps the piece in an exciting manner.
15:04
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El amor brujo
Ritual Fire Dance
Recording identifier: rw2147484493 Label: Fioretti Catalogue number: FI055 Conductors: Producer: Engineer: Recording date: 1981-01-01 Performance timing: 223 Ensemble: Leader: Recording location: Salle Adyar, Paris
Ritual Fire Dance
FI055
Hungarian Rhapsody No. 11 in A minor, S. 244, Deux mélodies russes (Arabesques), S. 250 (), Liebesträume, S. 541 (3 Notturnos für das Pianoforte)
03:42
Recording identifier: rw2147484493 Label: Fioretti Catalogue number: FI055 Conductors: Producer: Engineer: Recording date: 1981-01-01 Performance timing: 223 Ensemble: Leader: Recording location: Salle Adyar, Paris
03:42
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Ivan the Terrible
Overture
FI022 Alexander Nevsky, Op. 78, Ivan the Terrible, Op. 116a
Recording identifier: rw2147484339 Label: Fioretti Catalogue number: FI022 Conductors: Alipi Naydenov Producer: Ivan Pastor Engineer: Recording date: Performance timing: 300 Ensemble: Danube Sounds Choir, Symphony Orchestra of the Rousse Philharmonic Leader: Recording location:
Overture
FI022
Alexander Nevsky, Op. 78, Ivan the Terrible, Op. 116a
04:22
Recording identifier: rw2147484339 Label: Fioretti Catalogue number: FI022 Conductors: Alipi Naydenov Producer: Ivan Pastor Engineer: Recording date: Performance timing: 300 Ensemble: Danube Sounds Choir, Symphony Orchestra of the Rousse Philharmonic Leader: Recording location:
04:22
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